top of page
Search
  • Writer's pictureCharlotte Arculus

Bibliography

Updated: Apr 23, 2018




BARNES, R. 1983. The Sun in the East; Norfolk and Suffolk Fairs. Norwich: R.B. Photographic.


BENNETT. J. 2010. Vibrant Matter: A Political Ecology of Things. Durham:Duke University press

CADBURY, D 2000. The Dinosaur Hunters. Great Britain: Harper Collins. BOAL, A., 2000. Theater of the oppressed. New edn. London: Pluto.


CONQUERGOOD, D., 2002. Performance Studies: Interventions and Radical Research. CAMBRIDGE: MIT Press.


DARWIN, C. 1859. On The Origin of Species. London: John Murray


CYWINSKY, B. 2016. The Gatepost. in First Light: A Celebration of Alan Garner. London: Unbound.


DEBORD,G. 1958. The Theory of the Dérive and definitions [online] available at http://tbook.constantvzw.org/wp-content/derivedebord.pdf


DELEUZE, G. and GUATTARI, F., 1987. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. London: Bloomsbury.


DOSSE, F., 2010. Gilles Deleuze & Félix Guattari: Intersecting Lives. Columbia UP.


FISHER, M. 2016. Womens creation: Sexual evolution and the shaping of society. United States. Anchor Press.


FISHER, M., 2016. The Weird and the Eerie. London: Watkins Media Ltd.


GARNER, A. 1997. The Voice That Thunders. London: The Harvill Press


GRAVEY, V., LORENZONI, I., SEYFANG, G., HARGREAVES,T., 2017. Theoretical Theatre: harnessing the power of comedy to teach social science theory’, Journal of Contemporary European Research 13(3) : 1319-1336


HAGGARTY, B. 2016. Mr Garner’s Reading Lesson. in First Light: A Celebration of Alan Garner. London: Unbound.


HARAWAY, D.J., 2016. Staying with the trouble: making kin in the Chthulucene. Durham: Duke University Press.


KUPPERS, P., 2016. Mad Methodologies and Community Performance: The Asylum Project at Bedlam. Theatre Topics, 26(2), pp. 221.


LE GUIN, U.K., 1989. Dancing at the edge of the world: thoughts on words, women, places. New York: Harper & Row


LUPTON,H. 2016. The Joining of the Song. in First Light: A Celebration of Alan Garner. London: Unbound.


MACLURE, M., 2013. The Wonder of Data. Cultural Studies ↔ Critical Methodologies, 13(4), pp. 228-232.


MASSUMI, B 2010.“ On Critique.” Inflexions 4, “Transversal Fields of Experience” (December 2010). 337-340. [online] Available at www.inflexions.org (accessed 3rd April 2018)


MENZIES, R. LEFRANÇOIS, B.A. & REAME,G. eds. 2013. Introducing Mad Studies. Mad Matters: A critical Reader in Canadian Mad Studies. Toronto: Canadian Scholars.


PRAG, J. 2016. An Oak Shovel… Roughly Used. in First Light: A Celebration of Alan Garner. London: Unbound.


SEYFANG, G. 2005. The Rising Sun: Celebrating Dance Camp East, Eastaugh, D. Lees, M. Alexander, G. Seekings, S. Fanning, M. (eds). Suffolk: Dance Camp East


SONGLINE FOR DOGGERLAND. 2018. Text by Hugh Lupton, Directed By Charlotte Arculus. Composer & Musical Director Mary Lovett [Bergh Apton Church, Norfolk]


STENGERS, I., 2013. Introductory Notes on an Ecology of Practices. Cultural Studies Review, 11(1), pp. 183-196.


WAGNER, E. 2016. First Light: A Celebration of Alan Garner. London: Unbound.

コメント


by Charlotte Arculus

bottom of page